Valse opus 69 N\u00b0 2 <\/a><\/p>\n[\/vc_column_text][\/vc_column][vc_column width=\u00a0\u00bb3\/4″][vc_column_text css=\u00a0\u00bb.vc_custom_1576694818341{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 20px !important;}\u00a0\u00bb] <\/p>\n
\nQue cela soit en concert ou \u00e0 travers sa remarquable et foisonnante discographie, Laurent MARTIN continue inlassablement \u00e0 d\u00e9voiler nombre de compositeurs et compositrices fran\u00e7ais romantiques m\u00e9connus.<\/span><\/p>\n [\/vc_column_text][vc_column_text css=\u00a0\u00bb.vc_custom_1576694893280{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 20px !important;}\u00a0\u00bb] <\/p>\n
Depuis 1979 o\u00f9 il a commenc\u00e9 \u00e0 r\u00e9v\u00e9ler les \u0153uvres de George ONSLOW, Laurent MARTIN s’est consacr\u00e9 \u00e0 Charles-Valentin ALKAN, puis \u00e0 Mel BONIS suivis d’Alexis de CASTILLON (Diapason d’Or 2010), Banche SELVA, Pauline VIARDOT, Th\u00e9odore GOUVY, Th\u00e9odore DUBOIS, La TOMBELLE et bien d’autres. <\/span><\/p>\n [\/vc_column_text][vc_column_text css=\u00a0\u00bb.vc_custom_1576694972938{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 20px !important;}\u00a0\u00bb] <\/p>\n
Ses derni\u00e8res r\u00e9alisations ont r\u00e9v\u00e9l\u00e9 la sonate pour violoncelle et piano de Rita STROHL – un pur chef-d’\u0153uvre ( Choc Classica en f\u00e9vrier 2018). R\u00e9cemment, un floril\u00e8ge de compositrices d’exception r\u00e9unissant H\u00e9l\u00e8ne de MONTGEROULT, C\u00e9cile CHAMINADE, Mel BONIS et Armande de POLIGNAC fait la d\u00e9monstration que les femmes, au fil du temps, n’ont jamais manqu\u00e9 de cr\u00e9ativit\u00e9. <\/span><\/p>\n [\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"
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