[vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbCOMPOSITRICES AU PIANO
\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1655115909621{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb655″ css=\u00a0\u00bb.vc_custom_1655115844833{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb(Digipack Ligia digital Lidi 0103363-22)\u00a0\u00bb font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1655115875468{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1489578920204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbSix compositrices au piano :\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:18|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20italic%3A400%3Aitalic\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbH\u00e9l\u00e8ne de Montgeroult, Mel Bonis, C\u00e9cile Chaminade, Germaine Tailleferre, Blanche Selva et Armande de Polignac.\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbLaurent Martin, piano.\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][vc_column_text]H.de Montgerout – Etude n\u00b03<\/a><\/p>\n

C. Chaminade – Etude m\u00e9lancolique<\/a><\/p>\n

C.Chaminade – Arabesque<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=\u00a0\u00bb\u00ab\u00a0Compositrices au piano\u00ab\u00a0 est le 12\u00e8me enregistrement que Laurent Martin consacre \u00e0 la cr\u00e9ativit\u00e9 des compositrices, le premier de cette s\u00e9rie datant de 1997.
\nIl nous fait ainsi d\u00e9couvrir de nouveaux enregistrements d’H\u00e9l\u00e8ne de Montgeroult (en avance sur le romantisme), Mel Bonis (sa renomm\u00e9e est d\u00e9sormais internationale), C\u00e9cile Chaminade (\u00e0 l\u2019inspiration toujours foisonnante), Germaine Tailleferre et Blanche Selva (\u00e0 l\u2019\u00e9criture tr\u00e8s contemporaine) et Armande de Polignac dont les \u0153uvres sont encore (trop) rarement jou\u00e9es.
\nUn floril\u00e8ge f\u00e9minin singulier et passionnant.\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:13|text_align:left|color:%23adadad\u00a0\u00bb google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1655116086948{padding-left: 40px !important;}\u00a0\u00bb][vc_separator color=\u00a0\u00bbchino\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbPAULINE VIARDOT
(1821\u20101910)\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1581519648426{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb623″ css=\u00a0\u00bb.vc_custom_1632748496929{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb(Digipack Ligia digital Lidi 0201358-21)\u00a0\u00bb font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1632750308711{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1633090784964{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 10px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbInte\u0301grale des me\u0301lodies russes (2 CD)\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:18|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20italic%3A400%3Aitalic\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbVol. 1 : Pouchkine, Turkety & Tourgueniev – Vol. 2 : Tutchev, Lermontov, Fet, Koltsov & Surikov\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1633090774968{margin-bottom: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbLamia Beuque, mezzo\u2010soprano & Laurent Martin, piano.\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1633090199391{margin-bottom: -20px !important;}\u00a0\u00bb][vc_row_inner][vc_column_inner width=\u00a0\u00bb1\/2″ css=\u00a0\u00bb.vc_custom_1633090809707{margin-top: 30px !important;}\u00a0\u00bb][vc_column_text]A1-P.Viardot : Le captif<\/a><\/p>\n

A3-P.Viardot : Invocation<\/a><\/p>\n

A23-P.Viardot : En chemin<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00a0\u00bb1\/2″ css=\u00a0\u00bb.vc_custom_1633090891851{margin-top: 30px !important;margin-left: -100px !important;}\u00a0\u00bb][vc_column_text]B2-P.Viardot : J’ai br\u00fbl\u00e9 d’un amour<\/a><\/p>\n

B4-P.Viardot : Berceuse cosaque<\/a><\/p>\n

B9-P.Viardot : Les \u00e9toiles<\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=\u00a0\u00bbSi Pauline Viardot (1821-1910) est connue comme l\u2019une des plus grandes cantatrices du 19e si\u00e8cle, \u00e0 l’\u00e9gal de sa soeur la Malibran, ses compositions le sont beaucoup moins !
\nPolyglotte, sa tr\u00e8s forte relation avec la Russie (o\u00f9 elle fut souvent invit\u00e9e \u00e0 se produire) l\u2019amena \u00e0 \u00e9crire de nombreuses m\u00e9lodies inspir\u00e9es de po\u00e8tes russes, comme Pouchkine et Tourgu\u00e9niev, ce dernier ayant \u00e9prouv\u00e9 \u00e0 son \u00e9gard un coup de foudre d\u00e9finitif !<\/p>\n

\u00c0 l’occasion du bicentenaire de la naissance de Pauline, Laurent Martin f\u00eate son 60e enregistrement en rendant un hommage vibrant \u00e0 ces cr\u00e9ations chatoyantes, originales et fort subtiles. La jeune cantatrice Lamia Beuque (reconnue dans Rossini) apporte ici une contribution tr\u00e8s \u00e9mouvante pour nous faire d\u00e9couvrir gr\u00e2ce \u00e0 ce double CD de magnifiques m\u00e9lodies.\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:13|text_align:left|color:%23adadad\u00a0\u00bb google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1632750516865{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbchino\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbDEODAT DE SEVERAC
(1872-1921)\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1576503891288{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb535″ css=\u00a0\u00bb.vc_custom_1576503727264{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb(Digipack Ligia digital Lidi 0103323-17)\u00a0\u00bb font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1576503402271{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1489578920204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbLa vasque aux colombes\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:18|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20italic%3A400%3Aitalic\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb\u0152uvres pour piano :
\nCerda\u00f1a, 1er et 2\u00e8me recueil de \u00ab\u00a0En vacances\u00ab\u00a0\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbLaurent Martin, piano.\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][vc_column_text] 1-Severac : En Tartane<\/a><\/p>\n

9-Severac : Valse romantique<\/a><\/p>\n

11-Severac : Pippermint-Get<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=\u00a0\u00bbLaurent MARTIN a d\u00e9couvert S\u00e9verac et \u00ab\u00a0Les muletiers devant le Christ\u00ab\u00a0 sous les doigts de l’immense pianiste et compositrice Blanche Selva (1884-1942) et n’a eu de cesse que d’explorer cette \u0153uvre sublime. Son choix met en exergue le S\u00e9verac inventif et profond des grands cycles pianistiques o\u00f9 il rivalise avec Alb\u00e9niz dans l’utilisation novatrice et passionn\u00e9e du clavier. Avec les extraits de \u00ab\u00a0En vacances\u00ab\u00a0, c’est la musique adorable du monde de l’enfance o\u00f9 l’innocence et la gr\u00e2ce \u00e9voquent les joies enchant\u00e9es du pass\u00e9. La Valse est un d\u00e9licieux pastiche, et la Vasque aux colombes fut termin\u00e9e avec d\u00e9votion par sa grande amie Blanche Selva apr\u00e8s la mort pr\u00e9coce du compositeur.\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:13|text_align:left|color:%23adadad\u00a0\u00bb google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1576503364100{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbchino\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbCOMPOSITRICES D’EXCEPTION
\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1576502974923{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb537″ css=\u00a0\u00bb.vc_custom_1576502998539{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb(Digipack Ligia digital Lidi 0103341-19)\u00a0\u00bb font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1576503070333{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1489578920204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbOeuvres pour piano\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:18|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20italic%3A400%3Aitalic\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb\u0152uvres pour piano des compositrices :
\nH\u00e9l\u00e8ne de Montgeroult, C\u00e9cile Chaminade, Armande de Polignac, Blanche Selva & Mel Bonis\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbLaurent Martin, piano.\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][vc_column_text]1-de Montgeroult : Etude<\/a><\/p>\n

5-Chaminade : La Lisonjera<\/a><\/p>\n

14-de Polignac : Nocturne<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=\u00a0\u00bbCe floril\u00e8ge pianistique de cinq compositrices d’exception, H\u00e9l\u00e8ne de Montgeroult (1764-1836), C\u00e9cile Chaminade (1857-1944), Blanche Selva (1884-1942), Mel Bonis (1858-1937), rec\u00e8le une premi\u00e8re mondiale au CD, 7 pi\u00e8ces passionnantes d’Armande de Polignac (1876-1962), dont le Nocturne, en particulier, n’a rien \u00e0 envier \u00e0 ses contemporains, Debussy ou Ravel. El\u00e8ve de Gabriel Faur\u00e9 et de d’Indy, ouverte \u00e0 toutes les tendances cr\u00e9atives de son temps, il est temps que son \u0153uvre sorte des oubliettes.
\nUn CD qui offre un panorama musical inhabituel depuis l’\u00e9poque r\u00e9volutionnaire jusqu’\u00e0 l’impressionnisme et au-del\u00e0.\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:13|text_align:left|color:%23adadad\u00a0\u00bb google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1576503046021{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbchino\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbCHARLES LEFEBVRE
(1843-1917)\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1576497596154{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb536″ css=\u00a0\u00bb.vc_custom_1576497889199{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb(Digipack Ligia digital Lidi 0302312-18)\u00a0\u00bb font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1576503120144{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1489578920204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbPortrait\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:18|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20italic%3A400%3Aitalic\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbM\u00e9lodies et trio avec piano op.110″ font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbJacqueline Laurin, soprano – Vincent Brunel, violon – Aude Pivot, violoncelle – Laurent Martin, piano.\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][vc_column_text]1-Lefebvre : Ici-bas tous les lilas meurent<\/a><\/p>\n

7-Lefebvre : trio (allegro)<\/a><\/p>\n

15-Lefebvre : dans la steppe<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=\u00a0\u00bbComme \u00e0 son habitude, le pianiste Laurent Martin a retrouv\u00e9 les partitions d’un oubli\u00e9 passionnant, Charles Lefebvre (1843-1917), qui m\u00e9rite ce portrait musical et qui appelle une reconnaissance plus approfondie de son \u0153uvre.
\nAu travers d’une douzaine de m\u00e9lodies et d’un trio, c’est une vraie d\u00e9couverte qui nous est offerte d’un cr\u00e9ateur complet, romantique accompli, m\u00e9lodiste raffin\u00e9 et profond. Les textes choisis sont des meilleurs po\u00e8tes, tels Th\u00e9ophile Gautier ou Sully-Prudhomme, mis en valeur par Jacqueline Laurin, d\u00e9j\u00e0 remarqu\u00e9e pour un CD Pauline Viardot.
\nLe trio pour piano-violon-violoncelle est une r\u00e9elle r\u00e9ussite, emport\u00e9, vigoureux, avec des passages d’une intense po\u00e9sie, servi \u00e0 merveille par trois interpr\u00e8tes fortement impliqu\u00e9s dans la red\u00e9couverte des chefs-d’oeuvre m\u00e9connus.
\nUn CD incontournable pour les amoureux du romantisme fran\u00e7ais.\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:13|text_align:left|color:%23adadad\u00a0\u00bb google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1576503946819{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=\u00a0\u00bb20px\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbchino\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbRITA STROHL (1865-1941)
GEORGE ONSLOW (1784-1853)\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1513847696856{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb462″ css=\u00a0\u00bb.vc_custom_1513703279530{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb(Digipack Ligia digital Lidi 0302328-17)\u00a0\u00bb font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1513846846862{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1489578920204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbSonates pour violoncelle et piano\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:18|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20italic%3A400%3Aitalic\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbStrohl : sonate dramatique pour violoncelle et piano \u00ab\u00a0Titus et B\u00e9r\u00e9nice\u00ab\u00a0 (premier enregistrement mondial) – Solitude\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbOnslow : sonate pour violoncelle et piano op16 n\u00b02″ font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbAude Pivot, violoncelle et Laurent Martin, piano.\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][vc_column_text]4-Strohl :allegro<\/a><\/p>\n

3-Strohl : lento<\/a><\/p>\n

6-Onslow : allegro<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=\u00a0\u00bbVoici le premier enregistrement mondial de la sonate dramatique pour violoncelle et piano de Rita Strohl (1865-1941) \u201cTitus et B\u00e9r\u00e9nice\u201d rest\u00e9e dans l\u2019ombre pendant un si\u00e8cle.
\nAu sein d’un catalogue tr\u00e8s important et publi\u00e9e en 1898, cette sonate inspir\u00e9e par la pi\u00e8ce de Racine, \u00ab B\u00e9r\u00e9nice\u00bb, est totalement romantique par sa passion d\u00e9bordante, par l\u2019utilisation maximale des instruments pouss\u00e9s dans leurs retranchements et par une \u00e9nergie qui emporte tout sur son passage. En compl\u00e9ment, la sonate opus 16 n\u00b02 d\u2019Onslow au path\u00e9tique fascinant. Une premi\u00e8re mondiale \u00e0 ne pas rater !\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:13|text_align:left|color:%23adadad\u00a0\u00bb google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1513846623953{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbchino\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbFRANZ SCHUBERT (1797-1828)\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489769690167{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb392″ css=\u00a0\u00bb.vc_custom_1489769754238{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb(Digipack Ligia digital Lidi 0103311-16)\u00a0\u00bb font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489769796387{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1489578920204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbNuit et Lumi\u00e8re\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:18|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20italic%3A400%3Aitalic\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbR\u00e9cital d’\u0153uvres pour piano (Impromptus D 899 Nos 2 et 3, Moment musical D 780 No 6, Scherzi D.593 et choix de danses).
\nLaurent Martin, piano.\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][vc_column_text]Impromptu n\u00b01<\/a><\/p>\n

Scherzo f\u00fcr Klavier D.593-1<\/a><\/p>\n

Wiener Deutsche D.128-6<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=\u00a0\u00bbCe deuxi\u00e8me CD Schubert de Laurent Martin, associe des \u0153uvres tr\u00e8s connues (qu’il n’avait jamais interpr\u00e9t\u00e9es) aux 2 Scherzis, peu souvent donn\u00e9s en concert. Une quinzaine de Danses, choisies parmi les 350 \u00e9crites par Schubert pour ses amis, viennent enrichir ce floril\u00e8ge. On y trouve de vrais petits bijoux, aussi bien des Valses nobles, sentimentales ou viennoises, que des Danses allemandes ou encore des Menuets.
\nCes miniatures m\u00e9lancoliques ou enchanteresses ont inspir\u00e9 Chopin, Schumann, Brahms ou Ravel.\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:13|text_align:left|color:%23adadad\u00a0\u00bb google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489769672458{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbchino\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbEXALTACION\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489768897149{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb391″ css=\u00a0\u00bb.vc_custom_1489769891640{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb(Digipack Ligia digital Lidi 0103315-17)\u00a0\u00bb font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489768960949{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1489578920204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbPiano espa\u00f1ol del siglo XX\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:18|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20italic%3A400%3Aitalic\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbOeuvres de Albeniz, Granados, de Falla, Turina, Mompou et Rodrigo
\nLaurent Martin, piano.\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][vc_column_text]Albeniz :El puerto <\/a><\/p>\n

Granados : Zambra<\/a><\/p>\n

de Falla : Fantasia \u00e9tica<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=\u00a0\u00bbA la fin du 19\u00e8me si\u00e8cle, la musique espagnole vit une floraison exceptionnelle en liaison avec les grands compositeurs fran\u00e7ais rencontr\u00e9s \u00e0 Paris, surtout dans le domaine pianistique.
\nAlb\u00e9niz fait sensation avec le fameux recueil \u00ab\u00a0Iberia\u00ab\u00a0 comparable aux chefs-d’oeuvre plus anciens de Chopin, Schumann, Liszt ou Brahms. Granados cr\u00e9e les Douze danses espagnoles et les Goyescas, Manuel de Falla la Fantasia b\u00e9tica qui r\u00e9sume le g\u00e9nie ib\u00e9rique, passion enflamm\u00e9e, chant profond, rythmes endiabl\u00e9s, m\u00e9lodies envo\u00fbtantes, alti\u00e8re noblesse et feu souterrain. Turina en sera le continuateur et Mompou tracera de son c\u00f4t\u00e9 son chemin personnel de raffinements harmoniques, sonorit\u00e9s inou\u00efes et violence contenue.
\nLaurent Martin propose ici son propre choix, longuement m\u00fbri par de nombreux s\u00e9jours au-del\u00e0 des Pyr\u00e9n\u00e9es, marqu\u00e9s par la d\u00e9couverte des racines populaires de ces sonorit\u00e9s fascinantes et envo\u00fbtantes toujours pr\u00e9sentes dans l’Espagne d’aujourd’hui.\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:13|text_align:left|color:%23adadad\u00a0\u00bb google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489769590754{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbchino\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbMEL BONIS (1858-1937)\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489743571679{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb156″ css=\u00a0\u00bb.vc_custom_1489743590342{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb(Digipack Ligia digital Lidi 0103298-16)\u00a0\u00bb font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489749012968{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1489578920204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbLe Diamant noir\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:18|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20italic%3A400%3Aitalic\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb18 danses pour piano.
\nLaurent Martin, piano.\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][vc_column_text]<\/p>\n

Ballabile, op. 35<\/a><\/p>\n

Mazurka-ballet, op.181<\/a><\/p>\n

Diamant noir, op. posthume 186<\/a><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=\u00a0\u00bbLaurent Martin se consacre depuis 18 ans \u00e0 la red\u00e9couverte des \u0153uvres de la compositrice Mel Bonis (1858-1937), et apr\u00e8s lui avoir d\u00e9di\u00e9 cinq CD, il a d\u00e9cid\u00e9 de consacrer son 50\u00e8me enregistrement aux danses pour piano de la compositrice.
\nApr\u00e8s une longue p\u00e9riode d\u2019oubli qui dura 70 ans, Mel Bonis est d\u00e9sormais jou\u00e9e dans le monde entier et reconnue pour sa force d\u2019inspiration et son \u00e9criture passionn\u00e9e. Furore, l\u2019\u00e9diteur allemand sp\u00e9cialiste des femmes compositrices, vient de compl\u00e9ter son catalogue avec les danses de la compositrice, le rendant ainsi exhaustif.
\nAlternant suites de valses, danses dans le style ancien et pi\u00e8ces l\u00e9g\u00e8res , cette quasi-int\u00e9grale procure un large aper\u00e7u d\u2019une \u0153uvre in\u00e9luctable chevauchant les 19\u00e8me et 20\u00e8me si\u00e8cles. Bien qu\u2019influenc\u00e9e par Faur\u00e9 et Franck, Debussy et le Groupe des Six, Mel Bonis transmet un style d\u2019une forte personnalit\u00e9 qui fit ainsi r\u00e9agir Saint-Sa\u00ebns :
\n\u00ab\u00a0Je n\u2019aurais jamais pens\u00e9 qu\u2019une femme put \u00e9crire ainsi !\u00ab\u00a0 .\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:13|text_align:left|color:%23adadad\u00a0\u00bb google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489747331129{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbchino\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbCHARLES-VALENTIN ALKAN (1813-1888)\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489744899003{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb137″ css=\u00a0\u00bb.vc_custom_1489745137252{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb(Digipack Ligia digital Lidi 0103287-15)\u00a0\u00bb font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489749037506{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1489578920204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbRessouvenir\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:18|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20italic%3A400%3Aitalic\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb\u0152uvres pour piano, Nocturnes, Etude, Impromptus, Esquisses.
\nLaurent Martin, piano.\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][vc_column_text]1er nocture – opus 22<\/a><\/p>\n

Duettino – opus 70<\/a><\/p>\n

2\u00e8me nocture – opus 70 n\u00b06<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=\u00a0\u00bbMars 2015 : Encore une fois, Laurent Martin apporte un magnifique hommage musical \u00e0 Charles-Valentin Alkan, suivant une s\u00e9rie de cinq CD remarqu\u00e9s chez Marco Polo et Ligia Digital.
\nUn portrait inattendu du surdou\u00e9 solitaire appr\u00e9ci\u00e9 de Chopin, Liszt et George Sand r\u00e9unissant deux nocturnes tr\u00e8s personnels (bien qu\u2019une parent\u00e9 avec Chopin pour le premier et Brahms pour le second soit \u00e9vidente), l\u2019adagio du concerto pour piano seul qui exprime le sentiment de d\u00e9r\u00e9liction (abandon et d\u00e9sespoir extr\u00eame) \u2013 qui semble avoir \u00e9t\u00e9 en contrepoint de la vie d\u2019Alkan \u2013 ainsi que des impromptus, des esquisses et un duettino.\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:13|text_align:left|color:%23adadad\u00a0\u00bb google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489747652786{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbchino\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbP.I. TCHAIKOVSKY (1840-1893)\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489747858074{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb134″ css=\u00a0\u00bb.vc_custom_1489747957803{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb(Digipack Ligia digital Lidi 0201286-14)\u00a0\u00bb font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489749045460{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1489578920204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbRomances et s\u00e9r\u00e9nades\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:18|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20italic%3A400%3Aitalic\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbM\u00e9lodies en russe et en fran\u00e7ais,
\nopus 6, 16, 25, 28, 38, 47, 60, 63, 65 & 73.
\nJacqueline Laurin, soprano,
\nLaurent Martin, piano.\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][vc_column_text]Otchego – opus 6 n\u00b05 <\/a><\/p>\n

Khotel by v jedynoje slovo<\/a><\/p>\n

Rondel – opus 6 n\u00b06<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=\u00a0\u00bbNovembre 2014 : naissance d’un nouvel enregistrement de la soprano canadienne Jacqueline Laurin accompagn\u00e9e par Laurent Martin, r\u00e9unissant une s\u00e9lection des plus belles romances et s\u00e9r\u00e9nades de Tcha\u00efkovski, notamment les six romances en fran\u00e7ais rarement disponibles en CD. Dans la continuit\u00e9 des tr\u00e8s remarqu\u00e9es productions consacr\u00e9es \u00e0 Pauline Viardot et Blanche Selva\u2026\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:13|text_align:left|color:%23adadad\u00a0\u00bb google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489748163341{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbchino\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbFREDERIC CHOPIN (1810-1849)\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489754969630{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb148″ css=\u00a0\u00bb.vc_custom_1489755196601{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb(Digipack Ligia digital Lidi 0302357-13)\u00a0\u00bb font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489755038828{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1489578920204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbEternal peace\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:18|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20italic%3A400%3Aitalic\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbValses opus posth. 69 n\u00b02, opus posth. 70 n\u00b02, opus 34 n\u00b02
\nPolonaises opus 26 n\u00b02 & opus 40 n\u00b02
\nNocturnes opus 55 n\u00b01 & 2 et opus 15 n\u00b03
\nPr\u00e9ludes opus 28 n\u00b03, 4, 6 & 13
\nMazurkas opus 7 n\u00b02, opus 67 n\u00b02, opus 68 n\u00b02 & 4
\nEtudes opus 10 n\u00b012 et opus 25 n\u00b02
\nFr\u00fclhing s. 480, n\u00b02
\nLaurent Martin, piano.\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][vc_column_text]Valse opus 69 N\u00b0 2 <\/a><\/p>\n

Pr\u00e9lude op.28 n\u00b03<\/a><\/p>\n

Fr\u00fchling S 480 n\u00b02<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=\u00a0\u00bbSon premier CD d\u00e9di\u00e9 \u00e0 Chopin en 2008 a connu un grand succ\u00e9s, ce qui a encourag\u00e9 Laurent Martin en 2013 \u00e0 proposer un nouveau choix de ses oeuvres pr\u00e9f\u00e9r\u00e9es.<\/p>\n

Deux Polonaises qui l’ont marqu\u00e9 dans l’enfance, des Mazurkas, dont la derni\u00e8re pi\u00e8ce \u00e9crite par Chopin, des Pr\u00e9ludes, des Valses, deux Etudes avec la c\u00e9l\u00e8bre \u00ab\u00a0R\u00e9volutionnaire\u00ab\u00a0, trois Nocturnes et \u00ab\u00a0Printemps\u00ab\u00a0, d\u00e9licieuse et po\u00e9tique m\u00e9lodie transcrite avec une grande fid\u00e9lit\u00e9 par Liszt.
\nUn choix personnel et revendiqu\u00e9 pour cette suite \u00e0 \u00ab\u00a0CHOPIN, le Po\u00e8te\u00ab\u00a0.\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:13|text_align:left|color:%23adadad\u00a0\u00bb google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489771127599{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbchino\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbBLANCHE SELVA (1884-1942)\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489757638874{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb133″ css=\u00a0\u00bb.vc_custom_1489757940458{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb(Digipack Ligia digital Lidi 0302255-13)\u00a0\u00bb font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489757803494{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1489578920204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbChants de lumi\u00e8re\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:18|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20italic%3A400%3Aitalic\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbCants de Llum pour violon & piano \u2022 Neuf m\u00e9lodies \u2022
\nTrois \u0153uvres pour piano.
\nAmanda Favier, violon, Jacqueline Laurin, soprano et Laurent Martin, piano.
\nPremiers enregistrements mondiaux \/ world premi\u00e8re\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][vc_column_text]Cants de Llum II<\/a><\/p>\n

Cap al tard <\/a><\/p>\n

Cloches au soleil <\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=\u00a0\u00bbBlanche SELVA fut la meilleure pianiste fran\u00e7aise des ann\u00e9es 1900-1925 et ses rares enregistrements sont saisissants. Elle fut aussi une immense p\u00e9dagogue avec plus de 1500 \u00e9l\u00e8ves dans toute la France et \u00e0 l’\u00e9tranger. Mais la troisi\u00e8me facette de cette surdou\u00e9e \u00e9tait rest\u00e9e dans l’ombre : elle composait.<\/p>\n

El\u00e8ve de la Schola Cantorum o\u00f9 elle enseigna ensuite pendant pr\u00e8s de 20 ans, elle se d\u00e9gagea de la forte personnalit\u00e9 de Vincent d’Indy, son mentor et p\u00e8re spirituel, pour retrouver ses racines catalanes. Ses oeuvres sont personnelles, attachantes et originales. On pourrait la comparer pour certaines \u00e0 D\u00e9odat de S\u00e9verac dont elle fut tr\u00e8s proche.<\/p>\n

Une vraie d\u00e9couverte en 1\u00e8re mondiale \u00e0 travers ses m\u00e9lodies, pi\u00e8ces pour violon et piano et piano seul, tant\u00f4t expressives et imag\u00e9es, ou impr\u00e9gn\u00e9es d’une intense spiritualit\u00e9.Apr\u00e8s un Diapason d’Or en 2010 (la musique de chambre de Castillon, enregistr\u00e9e avec le Quatuor Satie), Laurent Martin continue d’exhumer les oeuvres magnifiques de compositeurs m\u00e9connus ou oubli\u00e9s.\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:13|text_align:left|color:%23adadad\u00a0\u00bb google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489771170713{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbchino\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbTHEODORE GOUVY (1819-1898 )\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489757972558{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb153″ css=\u00a0\u00bb.vc_custom_1489758045017{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb(Digipack Ligia digital Lidi 0302249-12)\u00a0\u00bb font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489758023870{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1489578920204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbL’\u0153uvre pour deux pianos\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:18|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20italic%3A400%3Aitalic\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbSonate pour 2 pianos op.66 \u2022 Scherzo op.60 \u2022 Lilli Bull\u00e9ro \u2022
\nMarche op.63 \u2022 Fantaisie op.69 \u2022 Divertissement op.78.
\nLaurent Martin et Carole Dubois, pianos.\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][vc_column_text]op.66 : Allegro vivo<\/a><\/p>\n

op.60 : Scherzo<\/a><\/p>\n

op.63 : Marche<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbchino\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbFERNAND DE LA TOMBELLE (1854-1928 )\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489758257775{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb135″ css=\u00a0\u00bb.vc_custom_1489758834631{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb(Digipack Ligia digital Lidi 0302235-12)\u00a0\u00bb font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489758382393{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1489578920204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbTrio op.35 – Quatuor op.36″ font_container=\u00a0\u00bbtag:h6|font_size:18|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20italic%3A400%3Aitalic\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbTrio pour piano, violon et violoncelle op.35* \u2022
\nAndante espressivo pour violoncelle et piano \u2022 Quatuor op.36.
\nQuatuor Satie et Laurent Martin, piano.
\n(*) 1er enregistrement mondial \/ world premi\u00e8re\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][vc_column_text]op.35 : Allegro<\/a><\/p>\n

op.35 : Lento<\/a><\/p>\n

op.35 :Allegretto scherzando<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbchino\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbPAULINE VIARDOT (1821-1910 )\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489758876702{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb163″ css=\u00a0\u00bb.vc_custom_1489759100731{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb(Ligia digital Lidi 020124212-12)\u00a0\u00bb font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489759073258{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1489578920204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbM\u00e9lodies russes\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:18|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20italic%3A400%3Aitalic\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbIncantation \u2022 Pauvre moi! \u2022 Calme et sainte nuit \u2022 Nuit \u2022 Images de minuit \u2022 Berceuse cosaque \u2022 Rameaux de Palestine \u2022 Dis-moi pourquoi \u2022 Deux roses \u2022 Soir\u00e9e calme et chaude \u2022 A l’aube \u2022S\u00e9paration \u2022 Fleur dess\u00e9ch\u00e9e, etc.
\nJacqueline Laurin, soprano et Laurent Martin, piano.\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][vc_column_text] Incantation<\/a><\/p>\n

\u00ab\u00a0Ne me chante plus ma jolie\u00a0\u00bb<\/a><\/p>\n

Sur les collines de Georgie<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbchino\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbMEL BONIS (1858-1937)\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489759248843{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb157″ css=\u00a0\u00bb.vc_custom_1489759317294{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb(Digipack Ligia digital Lidi 0103241-12)\u00a0\u00bb font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489759301898{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1489578920204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbLe Songe de Cl\u00e9op\u00e2tre\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:18|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20italic%3A400%3Aitalic\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb1-5\u2022 Suite en forme de valses 6\u2022 Le songe de Cl\u00e9op\u00e2tre\/ 7-12\u2022 Six valses-caprice\/ 13\u2022 Pavane\/ 14\u2022 Echo\/ 15\u2022 Narcisse\/ 16\u2022 Ariel\/ 17\u2022 Agitato\/ 18\u2022 Pens\u00e9es d’automne\/ 19\u2022 Clair de lune\/ 20\u2022 Etude en mi b\u00e9mol\/ 21\u2022 Berceuse\/ 22-25\u2022 Suite dans le style ancien.
\nLaurent Martin et Claudine Simon, piano \u00e0 quatre mains.\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][vc_column_text] Ballabile<\/a><\/p>\n

Valse-Caprice n\u00b01<\/a><\/p>\n

Valse-Caprice n\u00b02<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbchino\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbBACH\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489759485258{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb139″ css=\u00a0\u00bb.vc_custom_1489759557271{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb(Digipack Ligia digital Lidi 0103239-11)\u00a0\u00bb font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489759541248{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1489578920204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbintime\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:18|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20italic%3A400%3Aitalic\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbConcerto Italien BWV 971, concerto BWV 974, suite N\u00b0 1 BWV 1007, concerto BWV 974, praeludium 5, etc.
\nLaurent Martin, piano. Pochette : peinture d’Agn\u00e8s Dupuy.\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][vc_column_text]Concerto italien BWV 971 – Allegro <\/a><\/p>\n

Praeludium 5 BWV 855a <\/a><\/p>\n

Adagio BWV 964<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbchino\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbALEXIS de CASTILLON de SAINT-VICTOR (1838-1873)\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489759807363{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb144″ css=\u00a0\u00bb.vc_custom_1489760206503{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb(Digipack Ligia 0302210-10) (69 minutes)\u00a0\u00bb font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489759937021{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1489578920204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbLe Quintette et le Quatuor\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:18|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20italic%3A400%3Aitalic\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbMusique de chambre avec piano \/ Chamber music with piano
\nQuintette avec piano opus 1* – Quatuor avec piano opus 7
\nLaurent Martin & le Quatuor Satie
\nEnregistrement r\u00e9alis\u00e9 avec le soutien du Palazzetto Bru Zane, Centre de musique romantique fran\u00e7aise \u00e0 Venise
\n(*) 1er enregistrement mondial \/ world premi\u00e8re\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][vc_column_text]Op.1 : Allegro<\/a><\/p>\n

Op.1 Scherzo<\/a><\/p>\n

Op.7 Larghetto<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbchino\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbCHABRIER\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489760371025{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb146″ css=\u00a0\u00bb.vc_custom_1489760600788{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb(Digipack Ligia digital Lidi 0201205-09)\u00a0\u00bb font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489760420517{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1489578920204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbPrince burlesque et m\u00e9lodiste raffin\u00e9\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:18|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20italic%3A400%3Aitalic\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb1. Le Roi malgr\u00e9 lui : f\u00eate polonaise – 2. Villanelle des petits canards – 3. Pastorale des cochons roses – 4. L’\u00eele heureuse – 5. l’enfant – 6. Pi\u00e8ce pittoresque n\u00b010 : scherzo valse – 7. Habanera – 8. Cort\u00e8ge burlesque – 9. Pi\u00e8ce pittoresque n\u00b02 : m\u00e9lancolie – 10. Ballabile – 11. Feuillet d’album – 12. Chanson pour Jeanne – 13. Couplets de Mariette- 14. Le roi malgr\u00e9 lui : chanson de l’alouette – 15. Que les amants ont de peine – 16. Espana
\nBrigitte Balleys, mezzo-soprano et Laurent Martin & Eric Cerantola, piano\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][vc_column_text]F\u00eate polonaise<\/a><\/p>\n

Feuillet d’album<\/a><\/p>\n

Scherzo valse <\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbchino\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbDUBOIS\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489760742419{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb150″ css=\u00a0\u00bb.vc_custom_1489760815847{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb(Ligia digital Lidi 0302197-09)\u00a0\u00bb font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489760802951{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1489578920204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb\u00ab\u00a0Remember\u00ab\u00a0\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:18|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20italic%3A400%3Aitalic\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb2 pi\u00e8ces, m\u00e9lodie, saltarello et sonates pour violon & piano.
\n\u00ab\u00a0Remember\u00ab\u00a0 et sonate pour piano.
\nSt\u00e9phanie-Marie Degand & Laurent Martin\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][vc_column_text]extrait n\u00b01 <\/a><\/p>\n

extrait n\u00b02<\/a><\/p>\n

extrait n\u00b03<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbchino\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbCHOPIN\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489760951423{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb147″ css=\u00a0\u00bb.vc_custom_1489761213493{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb(Ligia digital Lidi 0103188-07)\u00a0\u00bb font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489761003616{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1489578920204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bble po\u00e8te\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:18|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20italic%3A400%3Aitalic\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbNocturnes op 9 n\u00b01, op. 27 n\u00b02, op. 32 n\u00b01 ; Fantaisie-Impromptu op. 66 ; Mazurkas op. 17 n\u00b04, op. 67 n\u00b04 ; Polonaise op. 26 n\u00b01 ; Valse op. posth. ; Ballade n\u00b01 op. 23 ; Nocturnes op. posth. 72 n\u00b01 ; BI 49 ; BI 108 ; Valses op. 64 n\u00b01 et 2, op. 69 n\u00b01″ font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][vc_column_text]extrait n\u00b01<\/a><\/p>\n

extrait n\u00b02<\/a><\/p>\n

extrait n\u00b03<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbchino\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbSCHUBERT\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489761286686{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb130″ css=\u00a0\u00bb.vc_custom_1489761478143{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb(Ligia Digital Lidi 0103126-03)\u00a0\u00bb font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489761356184{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1489578920204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbUltima verba\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:18|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20italic%3A400%3Aitalic\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbImpromptus op. 142 (D935 n\u00b02 et 3) ; op. 90, (D 899 n\u00b04) ; Moments musicaux op. 94 (D 780 n\u00b02 et 3) ; Klavierstucke D 946 n\u00b01 et 2) ; Ungarische Melodie D 817 ; Allegretto D 915″ font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][vc_column_text]extrait n\u00b01<\/a><\/p>\n

extrait n\u00b02<\/a><\/p>\n

extrait n\u00b03<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbchino\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbSCHUMANN\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489761760033{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb131″ css=\u00a0\u00bb.vc_custom_1489761773300{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb(Ligia Digital 0103018-94)\u00a0\u00bb font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489761831247{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1489578920204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb\u00ab\u00a01835\u00ab\u00a0\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:18|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20italic%3A400%3Aitalic\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbCarnaval opus 9 et sonate n\u00b01″ font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][vc_column_text]extrait n\u00b01<\/a><\/p>\n

extrait n\u00b02<\/a><\/p>\n

extrait n\u00b03<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbchino\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbMEL BONIS\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489762010713{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb142″ css=\u00a0\u00bb.vc_custom_1489762099592{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb(Ligia Digital Lidi 0103181-07)\u00a0\u00bb font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489762065074{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1489578920204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbL\u2019ange gardien\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:18|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20italic%3A400%3Aitalic\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb22 pi\u00e8ces pour piano\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][vc_column_text]extrait n\u00b01<\/a><\/p>\n

extrait n\u00b02<\/a><\/p>\n

extrait n\u00b03<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbchino\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbALKAN\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489762402824{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb138″ css=\u00a0\u00bb.vc_custom_1489762475280{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb(Ligia Digital Lidi 0103121-03)\u00a0\u00bb font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489762451990{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1489578920204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbPortrait\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:18|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20italic%3A400%3Aitalic\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbEsquisses opus 63 (Increpatio, Les Soupirs, Scherzettino, Les cloches, les diablotins, En Songe) ; Le Chemin de Fer op. 27 ; Les Mois op. 74 (Carnaval, Nuit d’Hiver) ; Pr\u00e9ludes op. 31 (‘Librement \u2026’, Ancienne M\u00e9lodie de \u2026, La Chanson de la Folle \u2026, ‘Rapidement’, Le Temps qui n’est plus, J’\u00e9tais endormi mais …, Mod\u00e9r\u00e9ment vite et bien caract\u00e9ris\u00e9, Assez lentement, Assez vite, Pri\u00e8re) ; Etude pour la main gauche op. 76 ; Premier recueil de Chants pour piano op. 38 (Barcarolle)\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][vc_column_text]extrait n\u00b01<\/a><\/p>\n

extrait n\u00b02<\/a><\/p>\n

extrait n\u00b03<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbchino\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbONSLOW\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489762696420{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb159″ css=\u00a0\u00bb.vc_custom_1489762999198{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb(Ligia Digital Lidi 0103115-02)\u00a0\u00bb font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489762780682{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1489578920204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbSonates pour piano \u00e0 4 mains\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:18|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20italic%3A400%3Aitalic\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbSonates pour piano \u00e0 4 mains op. 7 et 22. Six pi\u00e8ces pour piano \/ Laurent Martin et Thierry Ravassard\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][vc_column_text]extrait n\u00b01<\/a><\/p>\n

extrait n\u00b02<\/a><\/p>\n

extrait n\u00b03<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbchino\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbONSLOW\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489762696420{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb160″ css=\u00a0\u00bb.vc_custom_1489762986839{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb( LIDI 0103134-04)\u00a0\u00bb font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489763011549{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1489578920204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbAussitot Que La Lumiere\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:18|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20italic%3A400%3Aitalic\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbPi\u00e8ces pour piano op. 5, 6, 13, 28, allegro agitato et allegro moderato, Fantaisie sur l\u2019Ange Gardien \/ Laurent Martin.\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][vc_column_text]extrait n\u00b01<\/a><\/p>\n

extrait n\u00b02<\/a><\/p>\n

extrait n\u00b03<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbchino\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbHAYDN\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489764307916{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb154″ css=\u00a0\u00bb.vc_custom_1489764397070{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb(Ligia Digital Lidi 0103139-04)\u00a0\u00bb font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489764343650{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1489578920204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbSonates pour piano Hob. XVI\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:18|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20italic%3A400%3Aitalic\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb6, 23 & 49 (pianos sonatas n\u00b013, 38 & 59)\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbchino\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbBERLIOZ\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489764414319{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb140″ css=\u00a0\u00bb.vc_custom_1489765210077{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb(Ligia Digital Lidi 0201032-95)\u00a0\u00bb font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489765223658{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1489578920204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbM\u00e9lodies\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:18|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20italic%3A400%3Aitalic\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbNuits d\u2019\u00e9t\u00e9 et autres m\u00e9lodies : Petit Oiseau, La Belle Isabeau, Le D\u00e9pit de la berg\u00e8re, Le Chasseur danois, Le Jeune patre breton, Za\u00efde, La Mort d’Oph\u00e9lie \/avec Isabelle VERNET\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbchino\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbBOELY\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489765264771{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb141″ css=\u00a0\u00bb.vc_custom_1489765337591{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb(Ligia Digital Lidi 0103165-06)\u00a0\u00bb font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489765321558{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1489578920204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbPiano \u00e0 4 mains\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:18|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20italic%3A400%3Aitalic\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbSonate op. 17, Duo op. 4, Quatuor-Sonate op. 31 \/ avec Betty HOVETTE, piano\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbchino\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbCASTILLON\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489765394591{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb143″ css=\u00a0\u00bb.vc_custom_1489765466279{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb(Ligia digital Lidi 0103161-05)\u00a0\u00bb font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489765450241{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1489578920204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbPens\u00e9es fugitives\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:18|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20italic%3A400%3Aitalic\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbSuite pour piano op. 5, 6 valses humoristiques op. 11, \u00ab\u00a0Air\u00ab\u00a0 extrait des 5 pi\u00e8ces dans le style ancien op. 9 ; Ballade, Adagietto et fantaisie extraits de la 2e suite pour le piano op. 10″ font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbchino\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbCHABRIER\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489767188972{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb145″ css=\u00a0\u00bb.vc_custom_1489767265230{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb(Ligia Digital Lidi 0201021-94)\u00a0\u00bb font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489767234197{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1489578920204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbM\u00e9lodies\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:18|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20italic%3A400%3Aitalic\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbL’\u00cele heureuse, Credo d’amour, L’Enfant, Ballade des gros dindons, Pastorale des cochons roses, Villanelle des petits canards, Le Pas d’armes du Roi Jean, Chanson pour Jeanne, le Sentier sombre, Couplets de Mariette, Espana, S\u00e9r\u00e9nade, Lied, Romance de l’\u00e9toile \/ avec Erick Freulon baryton\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbchino\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbGOUVY, CHAUSSON, LADMIRAULT, WIDOR\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489767358497{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb149″ css=\u00a0\u00bb.vc_custom_1489767709653{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb(P 2005 ; Ligia Digital Lidi 0103157-05)\u00a0\u00bb font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489767678008{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1489578920204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbMusique fran\u00e7aise\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:18|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20italic%3A400%3Aitalic\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbIntroduction et rondo pour clarinette et piano op. 72 \/ Widor ; Paysage, Andante et allegro, D\u00e9dicace \/ Chausson ; Sonate (1942) \/ Ladmirault ; Sonate pour clarinette et piano op. 67 \/ Gouvy ; avec B\u00e9atrice BERNE, clarinette\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbchino\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbGOUNOD\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489767773655{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb151″ css=\u00a0\u00bb.vc_custom_1489767834145{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb(Ligia Digital Lidi 0201010-93)\u00a0\u00bb font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489767849688{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1489578920204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbM\u00e9lodies\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:18|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20italic%3A400%3Aitalic\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbVenise, Le Lever, Le Chant d’Eurycl\u00e9e, le D\u00e9part, D\u00e9esse ou femme, Chanson de printemps, Aubade, Repentir, O ma belle rebelle, Medje, Marguerite, A toi mon coeur, l’Absent, Tombez mes ailes, Le Calme, Si la mort est le but, No\u00ebl, Ave Maria \/ avec Isabelle Vernet (P 1993″ font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbchino\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbGOUNOD\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489767773655{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb152″ css=\u00a0\u00bb.vc_custom_1489767951250{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb(Ligia Digital)\u00a0\u00bb font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489767916911{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1489578920204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbHarmonies c\u00e9lestes\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:18|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20italic%3A400%3Aitalic\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbHarmonies c\u00e9lestes (\u00e9puis\u00e9).\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbchino\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbLISZT\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489767992820{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb155″ css=\u00a0\u00bb.vc_custom_1489768097283{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbEnr. : Paris, Salle Adyar, 1992″ font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489768069401{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1489578920204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbHarmonies du soir, pi\u00e8ces tardives\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:18|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20italic%3A400%3Aitalic\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbM\u00e9phisto valse n\u00b02, valse oubli\u00e9e n\u00b02, bagatelle sans tonalit\u00e9, Impromptu nocturne, Schlaflos, Wiegenlied, En r\u00eave : nocturne, Nuages gris, Unstern, Ladislaus Teleki n\u00b04, Lugubre gondole n\u00b02, Abschied, Richard Wagner Venezia, Am Grabe Richard Wagner, Tombeau de Richard Wagner. Enr. : Paris, Salle Adyar, 1992″ font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbchino\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbMOMPOU\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489768136354{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb158″ css=\u00a0\u00bb.vc_custom_1489768202729{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb(P 2000 – Voices of lyrics)\u00a0\u00bb font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489768185719{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1489578920204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbChants magiques\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:18|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20italic%3A400%3Aitalic\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbL’Ermitage ; Chants magiques ; F\u00eates lointaines ; Charmes ; Sc\u00e8nes d’Enfants\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbchino\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbONSLOW\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489768240386{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb161″ css=\u00a0\u00bb.vc_custom_1489768319585{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb(Ligia digital Lidi 0103178-07)\u00a0\u00bb font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489768304099{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1489578920204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbDuos pour piano et violon\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:18|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20italic%3A400%3Aitalic\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbop. 29 et 31 \/ Sandrine Cantoreggi, vn et Laurent Martin, piano. – P 2007 –\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbchino\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbPIANO ESPAGNOL\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489768384622{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb162″ css=\u00a0\u00bb.vc_custom_1489768544935{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb(Enr. \u00e0 l’Op\u00e9ra de Vichy en 1994 – AP Syst\u00e8mes -AP 94)\u00a0\u00bb font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489768517706{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1489578920204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbAlbeniz, Granados, Falla, Turina, Mompou, Rodrigo\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:18|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20italic%3A400%3Aitalic\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bblbeniz (Iberia livres 1 El puerto et livre 3 El albaicin), Granados (Seis piezas sobre cantos populares espanoles Zambra, Zapateado, Goyescas n\u00b04 Quejas o la maja y el ruisenor), Falla (Fantasia b\u00e9tica), Turina (Danzas gitanas Sacromonte ; Danzas fantasticas Exaltacion), Mompou (3 variations ; Charmes) ; Rodrigo (Noche en el Guadalquivir)-.\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbchino\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbSCRIABINE\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489768584499{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb132″ css=\u00a0\u00bb.vc_custom_1489768637790{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb(P 1995 ; Ligia Digital Lidi 0103034-95)\u00a0\u00bb font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489768657693{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1489578920204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbItin\u00e9raire pianistique\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:18|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20italic%3A400%3Aitalic\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbMazurka n\u00b02 op. 3 ; Etudes op. 8 (n\u00b02, 10, 11, 12) ; Pr\u00e9ludes op. 11 (n\u00b01, 2, 11) ; Po\u00e8me n\u00b01 op. 32 ; Etudes op. 42 n\u00b0 3 et 4 ; Feuillet d’album n\u00b01, op. 45 ; Etude N\u00b01 op. 49 ; Etude n\u00b04 op. 56 ; Caresse dans\u00e9e n\u00b02 op. 57 ; Etranget\u00e9 n\u00b02 op. 63 ; Etudes op. 65 n\u00b02 et 3 ; Sonate n\u00b09 op. 68 ; Po\u00e8me op. 69 ; Sonate n\u00b010 op. 70 ; Vers la flamme op. 72 ; Danse n\u00b01, Guirlandes op. 73″ font_container=\u00a0\u00bbtag:h6|font_size:12|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbchino\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=\u00a0\u00bbALKAN : 25 Pr\u00e9ludes dans tous les tons majeurs et mineurs op. 31 (P 1989 – Marco Polo 8.223284)
\nALKAN : 49 Esquisses op. 63 (P 1992 – Marco Polo 8.223352)
\nALKAN : 3 Etudes de bravoure op. 12 ; Le Preux : \u00e9tude de concert op. 17 ; Le Chemin de Fer op. 27 ; 3 Grandes \u00e9tudes op. 76 (P 1993 – Marco Polo 8.223500)
\nALKAN : Piano Music : 4 Impromptus op. 32 ; 2e recueil d’impromptus op. 32 ; Salut, cendre du pauvre ! op. 45 ; Alleluia op. 25 ; Rondeau chromatique op. 12 ; variations surun th\u00e8me de Steibelt ; Super flumina Babylonis : paraphrase sur le psaume 137 op. 52 (P 1994 – Marco Polo)
\nCAPLET : Quintette pour piano, fl\u00fbte, hautbois, clarinette et basson (+ Quintette de Magnard) \/ avec Beno\u00eet Fromanger, fl. ; Claude Villeveille, htb ; Lucien Aubert, cl. ; Alexandre Ozounoff, bn (P 1998 – Koch Schwann 3-6716-2)
\nMAGNARD : Quintette pour piano, fl\u00fbte, hautbois, clarinette et basson (+ Quintette de Caplet) \/ avec Beno\u00eet Fromanger, fl. ; Claude Villeveille, htb ; Lucien Aubert, cl. ; Alexandre Ozounoff, bn (P 1998 – Koch Schwann 3-6716-2)
\nMOMPOU : Sc\u00e8nes d\u2019enfants (Epuis\u00e9)
\nREBER : Trios n\u00b0 4, 6 et 7 pour piano, violon et violoncelle (P 1995 – Koch Schwann 3-1548-2)
\nSAINT-SAENS : Carnaval des animaux CD pour enfants (Fr\u00e9meaux)
\nSCHUMANN : Les 3 Sonates avec violon \/ avec Gordan Nikolitch (Syrius)
\nONSLOW : Sonates pour violoncelle et piano op. 16 n\u00b02 et 3 et nocturne pour violoncelle et piano n\u00b03 de J.L. Duport \/ Jean-Marie Trotereau, violoncelle ; Laurent Martin, piano (P. 2003 \u2013 Integral classic INT 221.118)
\nBIZET : Jeux d\u2019enfants C.D. pour enfants (Fr\u00e9meaux)
\nMEL BONIS : Sonates pour fl\u00fbte et piano, sonate pour violon et piano, sonate pour violoncelle et piano \/ avec Clara Navakova, fl\u00fbte ; Kai Gleusteen, violon ; Jean-Marie Trotereau, violoncelle (P 1999 – Voices of lyrics VOL IC 342)
\nMEL BONIS : Quatuors avec piano et deux pi\u00e8ces pour violoncelle et piano \/ avec Gordan Nicolitch, violon ; Jean-Philippe Vasseur, alto ; Jean-Marie Trotereau, violoncelle (P 2000 – Voices of lyrics VOL C 344)
\nLOEFFLER : M\u00e9lodies : La chanson des ing\u00e9nues, Harmonie du soir, La lune blanche, R\u00eaverie en sourdine, Le rossignol, Timbres oubli\u00e9s, Adieu pour jamais, Les soirs d’automne, Les paons, La cloche f\u00eal\u00e9e, Dansons la gigue, Le son du cor s’afflige vers les bois, S\u00e9r\u00e9nade \/ avec Brigitte Balleys et Jean-Philippe Vasseur, alto (P 2000 – Voices of lyrics VOL IC 211)
\n\u00ab\u00a0AMERICAN MUSIC\u00ab\u00a0 avec B\u00e9atrice Berne, clarinette (Polymnie)\u00a0\u00bb font_container=\u00a0\u00bbtag:h6|font_size:13|text_align:left|color:%23adadad\u00a0\u00bb google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1489769877009{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_custom_heading text=\u00a0\u00bbCOMPOSITRICES AU PIANO \u00a0\u00bb font_container=\u00a0\u00bbtag:h6|text_align:left|color:%23dd9933″ google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1655115909621{padding-left: 40px !important;}\u00a0\u00bb][vc_single_image image=\u00a0\u00bb655″ css=\u00a0\u00bb.vc_custom_1655115844833{padding-left: 40px !important;}\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb(Digipack Ligia digital Lidi 0103363-22)\u00a0\u00bb font_container=\u00a0\u00bbtag:h5|font_size:9|text_align:left|color:%23c49e77″ google_fonts=\u00a0\u00bbfont_family:Istok%20Web%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1655115875468{padding-left: 40px !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1489578920204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-7","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/laurentmartinpianiste.com\/index.php?rest_route=\/wp\/v2\/pages\/7","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/laurentmartinpianiste.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/laurentmartinpianiste.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/laurentmartinpianiste.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/laurentmartinpianiste.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7"}],"version-history":[{"count":169,"href":"http:\/\/laurentmartinpianiste.com\/index.php?rest_route=\/wp\/v2\/pages\/7\/revisions"}],"predecessor-version":[{"id":661,"href":"http:\/\/laurentmartinpianiste.com\/index.php?rest_route=\/wp\/v2\/pages\/7\/revisions\/661"}],"wp:attachment":[{"href":"http:\/\/laurentmartinpianiste.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}